»ist doch so«

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»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.
»ist doch so« is the name of photo-essays which were first exhibited in Berlin in summer 2016 in the Kunststiftung Poll. It is a selection of various photographs from the last 10 years. Some pictures were done independently and others were commissioned. The common factor of these works is my attempt to to probe into basic everyday situations again and again.

the first day

1 / 18
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.
One never forgets the first day of work. Everything is new and unfamiliar. Most people like their job. But at the same time a majority say that they wish more fulfillment, satisfaction and sense of purpose at their place of work. For the weekly newspaper DIE ZEIT, I photographed various people on their first day at work.

world court

portraits

1 / 47
Dr. August Oetker, CEO Dr. Oetker
Ulrich Bettermann businessman and hunter
Gary Kovacs, CEO Mozilla
Christian Pfeiffer, former director des criminologically institute in Hanover
Eckart von Hirschhausen, cabaret artist
Anne-Sophie Mutter, violinist
Thomas Hengelbrock, conductor
Luis Moreno Ocampo, prosecutor of the ICC in Den Haag 2003 - 2012
Sir Simon Denis Rattle, conductor Berliner Philharmoniker
Phillip Rösler, FTP leader
Ai Wei Wei, chinese artist
Dr. Wolfram von Fritsch, Deutsche Messe AG, Hannover
Prof. Dr. Dr. Stefan Hell, director of the Max-Planck-Institut for biophysical Chemie in Göttingen
Thomas Oppermann, SPD
Christian Wulff, former german president
Bernd Osterloh, leader of the VW workers' council
Dr. Oliver Junk, mayor of Goslar
Prof. Dr. Arnulf Baring, historian
Torsten Neumann CEO of Filmfest Oldenburg an his women Deborah Cara Unger
Rüdiger Nehberg, Survival-Papst
Christian Clemens, CEO TUI Deutschland GmbH
Björn und Lutz, Identitätsstiftung
Simone, zookeeper
Martin Stoya und Matthias Vickermann, shoemaker
Axel Jäschke, ingenieur for underwater technic
Walter Goetz, Physiker at tthe Max-Planck-Institut
Hans Günter Wobker, leader of the development department, KME
Henry Böhack, farmer
Heinrich und Ulf Cordes, carpenter
Jan Miller, CEO Jade Weser Port in Wilhelmshafen
Julia Ostner explored the behavior of apes
Klaus Böckmann, CEO Böckmann Fahrzeugwerke
Alfred Hartmann, owner of a ship
Dr. Rolf Bärenfänger, director of the ostfriesischen Landschaften
Heinz und Heinrich Ehler, owner of a ship
Henning J. Claassen, CEO der Impreglon AG
Jörg Gade, director at the Theater für Nierdersachsen
Maya
Petra is an participant of the farm at the psychosomatic clinic in Bad Wildungen
Klaus Elksen, autistic artist
visitor at the congress of twins
participant of a cooking project, AWO
participant of a cooking project, AWO
Lena
Cigdem
Murat
Halis und Tuna

germany takes a break

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A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.
A project about taking a break, such a contrast in a society which is determined by efficiency and acceleration. I was really enthusiastic when the weekly newspaper DIE ZEIT suggested photographing people during their breaks.

Volkswagen commercial vehicles

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About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.
About 12.000 people are working for Volkswagen Nutzfahrzeuge. It is a small town not far away from Hanover. The staff magazine sign me to photograph the everyday life.

Morris

1 / 12
Monkey noises, rude remarks, flat tyres – it does not matter – Morris says. Much more terrible things could happen to a black man from Namibia in Eastern Germany. But not many. I visited Morris in Greifswald for DUMMY-MAGAZIN.
Monkey noises, rude remarks, flat tyres – it does not matter – Morris says. Much more terrible things could happen to a black man from Namibia in Eastern Germany. But not many. I visited Morris in Greifswald for DUMMY-MAGAZIN.
Monkey noises, rude remarks, flat tyres – it does not matter – Morris says. Much more terrible things could happen to a black man from Namibia in Eastern Germany. But not many. I visited Morris in Greifswald for DUMMY-MAGAZIN.
Monkey noises, rude remarks, flat tyres – it does not matter – Morris says. Much more terrible things could happen to a black man from Namibia in Eastern Germany. But not many. I visited Morris in Greifswald for DUMMY-MAGAZIN.
Monkey noises, rude remarks, flat tyres – it does not matter – Morris says. Much more terrible things could happen to a black man from Namibia in Eastern Germany. But not many. I visited Morris in Greifswald for DUMMY-MAGAZIN.
Monkey noises, rude remarks, flat tyres – it does not matter – Morris says. Much more terrible things could happen to a black man from Namibia in Eastern Germany. But not many. I visited Morris in Greifswald for DUMMY-MAGAZIN.
Monkey noises, rude remarks, flat tyres – it does not matter – Morris says. Much more terrible things could happen to a black man from Namibia in Eastern Germany. But not many. I visited Morris in Greifswald for DUMMY-MAGAZIN.
Monkey noises, rude remarks, flat tyres – it does not matter – Morris says. Much more terrible things could happen to a black man from Namibia in Eastern Germany. But not many. I visited Morris in Greifswald for DUMMY-MAGAZIN.
Monkey noises, rude remarks, flat tyres – it does not matter – Morris says. Much more terrible things could happen to a black man from Namibia in Eastern Germany. But not many. I visited Morris in Greifswald for DUMMY-MAGAZIN.
Monkey noises, rude remarks, flat tyres – it does not matter – Morris says. Much more terrible things could happen to a black man from Namibia in Eastern Germany. But not many. I visited Morris in Greifswald for DUMMY-MAGAZIN.
Monkey noises, rude remarks, flat tyres – it does not matter – Morris says. Much more terrible things could happen to a black man from Namibia in Eastern Germany. But not many. I visited Morris in Greifswald for DUMMY-MAGAZIN.
Monkey noises, rude remarks, flat tyres – it does not matter – Morris says. Much more terrible things could happen to a black man from Namibia in Eastern Germany. But not many. I visited Morris in Greifswald for DUMMY-MAGAZIN.

24 hours berlin

1 / 19
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.
24h Berlin. This is the title of our book, which apperaed on the 5th September 2009 at Steidl.
36 photographers are telling their personal story of a day in septmeber in Berlin. All Pictures were taken on the same day inside of 24 hours.
My contribution are pcitures arose from the Oberbaumbrücke to the Brandenburger Tor at the old wall of Berlin.

Festspielhaus Baden Baden

1 / 26
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.
For the Festspielhaus Baden Baden i took a look behind the curtains.

stepping down

1 / 24
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?
The project »Stepping down« deals with leaving work-life due to (retirement) age.
For this essay, which is on-going, I photographed people in diverse jobs – from the professional soldier to the hospital nurse – on their last day at work. I am interested in how each protagonist passes this day, which rituals are observed and in which roles those present are trapped.
Last but not least the references to the future and the resulting question: which role does our society offer for the so-called third and usually last phase of life?

transit stills

1 / 10
The series »Transit Stills« came about in Istanbul, London and Moscow at various traffic junctions, for the exhibition »THE CITY – BECOMING and DECAYING«.
Pictured are, on the one hand, public places on the other they depict intimate surroundings. Especially for commuters who travel the same beaten track daily in a big city life. Continually one is searching for a place. One lets events happen, willingly sorts oneself out in the routine. Only so can daily life be mastered.
The series »Transit Stills« came about in Istanbul, London and Moscow at various traffic junctions, for the exhibition »THE CITY – BECOMING and DECAYING«.
Pictured are, on the one hand, public places on the other they depict intimate surroundings. Especially for commuters who travel the same beaten track daily in a big city life. Continually one is searching for a place. One lets events happen, willingly sorts oneself out in the routine. Only so can daily life be mastered.
The series »Transit Stills« came about in Istanbul, London and Moscow at various traffic junctions, for the exhibition »THE CITY – BECOMING and DECAYING«.
Pictured are, on the one hand, public places on the other they depict intimate surroundings. Especially for commuters who travel the same beaten track daily in a big city life. Continually one is searching for a place. One lets events happen, willingly sorts oneself out in the routine. Only so can daily life be mastered.
The series »Transit Stills« came about in Istanbul, London and Moscow at various traffic junctions, for the exhibition »THE CITY – BECOMING and DECAYING«.
Pictured are, on the one hand, public places on the other they depict intimate surroundings. Especially for commuters who travel the same beaten track daily in a big city life. Continually one is searching for a place. One lets events happen, willingly sorts oneself out in the routine. Only so can daily life be mastered.
The series »Transit Stills« came about in Istanbul, London and Moscow at various traffic junctions, for the exhibition »THE CITY – BECOMING and DECAYING«.
Pictured are, on the one hand, public places on the other they depict intimate surroundings. Especially for commuters who travel the same beaten track daily in a big city life. Continually one is searching for a place. One lets events happen, willingly sorts oneself out in the routine. Only so can daily life be mastered.
The series »Transit Stills« came about in Istanbul, London and Moscow at various traffic junctions, for the exhibition »THE CITY – BECOMING and DECAYING«.
Pictured are, on the one hand, public places on the other they depict intimate surroundings. Especially for commuters who travel the same beaten track daily in a big city life. Continually one is searching for a place. One lets events happen, willingly sorts oneself out in the routine. Only so can daily life be mastered.
The series »Transit Stills« came about in Istanbul, London and Moscow at various traffic junctions, for the exhibition »THE CITY – BECOMING and DECAYING«.
Pictured are, on the one hand, public places on the other they depict intimate surroundings. Especially for commuters who travel the same beaten track daily in a big city life. Continually one is searching for a place. One lets events happen, willingly sorts oneself out in the routine. Only so can daily life be mastered.
The series »Transit Stills« came about in Istanbul, London and Moscow at various traffic junctions, for the exhibition »THE CITY – BECOMING and DECAYING«.
Pictured are, on the one hand, public places on the other they depict intimate surroundings. Especially for commuters who travel the same beaten track daily in a big city life. Continually one is searching for a place. One lets events happen, willingly sorts oneself out in the routine. Only so can daily life be mastered.
The series »Transit Stills« came about in Istanbul, London and Moscow at various traffic junctions, for the exhibition »THE CITY – BECOMING and DECAYING«.
Pictured are, on the one hand, public places on the other they depict intimate surroundings. Especially for commuters who travel the same beaten track daily in a big city life. Continually one is searching for a place. One lets events happen, willingly sorts oneself out in the routine. Only so can daily life be mastered.

Dardesheim

1 / 13
Dardesheim is a small town in Saxony Anhalt. It 's close to the old German border and in the north of the low mountain range called Harz. The residents call it the »Town of renewable energy« because energy is the main issue here. For the magazin CHRISMON i visited Dardesheim.
Dardesheim is a small town in Saxony Anhalt. It 's close to the old German border and in the north of the low mountain range called Harz. The residents call it the »Town of renewable energy« because energy is the main issue here. For the magazin CHRISMON i visited Dardesheim.
Dardesheim is a small town in Saxony Anhalt. It 's close to the old German border and in the north of the low mountain range called Harz. The residents call it the »Town of renewable energy« because energy is the main issue here. For the magazin CHRISMON i visited Dardesheim.
Dardesheim is a small town in Saxony Anhalt. It 's close to the old German border and in the north of the low mountain range called Harz. The residents call it the »Town of renewable energy« because energy is the main issue here. For the magazin CHRISMON i visited Dardesheim.
Dardesheim is a small town in Saxony Anhalt. It 's close to the old German border and in the north of the low mountain range called Harz. The residents call it the »Town of renewable energy« because energy is the main issue here. For the magazin CHRISMON i visited Dardesheim.
Dardesheim is a small town in Saxony Anhalt. It 's close to the old German border and in the north of the low mountain range called Harz. The residents call it the »Town of renewable energy« because energy is the main issue here. For the magazin CHRISMON i visited Dardesheim.
Dardesheim is a small town in Saxony Anhalt. It 's close to the old German border and in the north of the low mountain range called Harz. The residents call it the »Town of renewable energy« because energy is the main issue here. For the magazin CHRISMON i visited Dardesheim.
Dardesheim is a small town in Saxony Anhalt. It 's close to the old German border and in the north of the low mountain range called Harz. The residents call it the »Town of renewable energy« because energy is the main issue here. For the magazin CHRISMON i visited Dardesheim.
Dardesheim is a small town in Saxony Anhalt. It 's close to the old German border and in the north of the low mountain range called Harz. The residents call it the »Town of renewable energy« because energy is the main issue here. For the magazin CHRISMON i visited Dardesheim.
Dardesheim is a small town in Saxony Anhalt. It 's close to the old German border and in the north of the low mountain range called Harz. The residents call it the »Town of renewable energy« because energy is the main issue here. For the magazin CHRISMON i visited Dardesheim.
Dardesheim is a small town in Saxony Anhalt. It 's close to the old German border and in the north of the low mountain range called Harz. The residents call it the »Town of renewable energy« because energy is the main issue here. For the magazin CHRISMON i visited Dardesheim.
Dardesheim is a small town in Saxony Anhalt. It 's close to the old German border and in the north of the low mountain range called Harz. The residents call it the »Town of renewable energy« because energy is the main issue here. For the magazin CHRISMON i visited Dardesheim.
Dardesheim is a small town in Saxony Anhalt. It 's close to the old German border and in the north of the low mountain range called Harz. The residents call it the »Town of renewable energy« because energy is the main issue here. For the magazin CHRISMON i visited Dardesheim.

together lonely

1 / 21
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.
Mr. Schwalmberg had imagined everything being totally different. He would have preferred to grow old in his summerhouse in the garden. »… where the ground was so fertile you could have put a walking stick in it and it would grow«.
The most beautiful thing Mrs. Gust can remember nowadays are the »woods of Posen«.
Mrs. Berghaus is comparing the seconds. She asserts, that »in the past they used to pass to quick and nowadays to slow.«
The story about life in an old people’s home i took in 2006.

if the butcher comes

1 / 16
Before daybreak they fetch the pig out of the pen. Lehmann ties a rope around its hind leg. Guido and Bubi push the animal out into the courtyard. It squeals, takes a few steps, lies down and will not rise. Come on fatty, come on, call Guido and Budi stroking it on the flanks until it stands and goes with them to the washhouse. Here they tether it next to the door. It stands peacefully while Lehmann fetches the bolt pistol. A short pipe is held to the forehead, gentle but rapid. There is a blunt blow and the pig falls over. Lehmann says »Now we can butcher...«
In many German villages the butcher still goes to the farmer. A report.
Text: Marcus Jauer
Before daybreak they fetch the pig out of the pen. Lehmann ties a rope around its hind leg. Guido and Bubi push the animal out into the courtyard. It squeals, takes a few steps, lies down and will not rise. Come on fatty, come on, call Guido and Budi stroking it on the flanks until it stands and goes with them to the washhouse. Here they tether it next to the door. It stands peacefully while Lehmann fetches the bolt pistol. A short pipe is held to the forehead, gentle but rapid. There is a blunt blow and the pig falls over. Lehmann says »Now we can butcher...«
In many German villages the butcher still goes to the farmer. A report.
Text: Marcus Jauer
Before daybreak they fetch the pig out of the pen. Lehmann ties a rope around its hind leg. Guido and Bubi push the animal out into the courtyard. It squeals, takes a few steps, lies down and will not rise. Come on fatty, come on, call Guido and Budi stroking it on the flanks until it stands and goes with them to the washhouse. Here they tether it next to the door. It stands peacefully while Lehmann fetches the bolt pistol. A short pipe is held to the forehead, gentle but rapid. There is a blunt blow and the pig falls over. Lehmann says »Now we can butcher...«
In many German villages the butcher still goes to the farmer. A report.
Text: Marcus Jauer
Before daybreak they fetch the pig out of the pen. Lehmann ties a rope around its hind leg. Guido and Bubi push the animal out into the courtyard. It squeals, takes a few steps, lies down and will not rise. Come on fatty, come on, call Guido and Budi stroking it on the flanks until it stands and goes with them to the washhouse. Here they tether it next to the door. It stands peacefully while Lehmann fetches the bolt pistol. A short pipe is held to the forehead, gentle but rapid. There is a blunt blow and the pig falls over. Lehmann says »Now we can butcher...«
In many German villages the butcher still goes to the farmer. A report.
Text: Marcus Jauer
Before daybreak they fetch the pig out of the pen. Lehmann ties a rope around its hind leg. Guido and Bubi push the animal out into the courtyard. It squeals, takes a few steps, lies down and will not rise. Come on fatty, come on, call Guido and Budi stroking it on the flanks until it stands and goes with them to the washhouse. Here they tether it next to the door. It stands peacefully while Lehmann fetches the bolt pistol. A short pipe is held to the forehead, gentle but rapid. There is a blunt blow and the pig falls over. Lehmann says »Now we can butcher...«
In many German villages the butcher still goes to the farmer. A report.
Text: Marcus Jauer
Before daybreak they fetch the pig out of the pen. Lehmann ties a rope around its hind leg. Guido and Bubi push the animal out into the courtyard. It squeals, takes a few steps, lies down and will not rise. Come on fatty, come on, call Guido and Budi stroking it on the flanks until it stands and goes with them to the washhouse. Here they tether it next to the door. It stands peacefully while Lehmann fetches the bolt pistol. A short pipe is held to the forehead, gentle but rapid. There is a blunt blow and the pig falls over. Lehmann says »Now we can butcher...«
In many German villages the butcher still goes to the farmer. A report.
Text: Marcus Jauer
Before daybreak they fetch the pig out of the pen. Lehmann ties a rope around its hind leg. Guido and Bubi push the animal out into the courtyard. It squeals, takes a few steps, lies down and will not rise. Come on fatty, come on, call Guido and Budi stroking it on the flanks until it stands and goes with them to the washhouse. Here they tether it next to the door. It stands peacefully while Lehmann fetches the bolt pistol. A short pipe is held to the forehead, gentle but rapid. There is a blunt blow and the pig falls over. Lehmann says »Now we can butcher...«
In many German villages the butcher still goes to the farmer. A report.
Text: Marcus Jauer
Before daybreak they fetch the pig out of the pen. Lehmann ties a rope around its hind leg. Guido and Bubi push the animal out into the courtyard. It squeals, takes a few steps, lies down and will not rise. Come on fatty, come on, call Guido and Budi stroking it on the flanks until it stands and goes with them to the washhouse. Here they tether it next to the door. It stands peacefully while Lehmann fetches the bolt pistol. A short pipe is held to the forehead, gentle but rapid. There is a blunt blow and the pig falls over. Lehmann says »Now we can butcher...«
In many German villages the butcher still goes to the farmer. A report.
Text: Marcus Jauer
Before daybreak they fetch the pig out of the pen. Lehmann ties a rope around its hind leg. Guido and Bubi push the animal out into the courtyard. It squeals, takes a few steps, lies down and will not rise. Come on fatty, come on, call Guido and Budi stroking it on the flanks until it stands and goes with them to the washhouse. Here they tether it next to the door. It stands peacefully while Lehmann fetches the bolt pistol. A short pipe is held to the forehead, gentle but rapid. There is a blunt blow and the pig falls over. Lehmann says »Now we can butcher...«
In many German villages the butcher still goes to the farmer. A report.
Text: Marcus Jauer
Before daybreak they fetch the pig out of the pen. Lehmann ties a rope around its hind leg. Guido and Bubi push the animal out into the courtyard. It squeals, takes a few steps, lies down and will not rise. Come on fatty, come on, call Guido and Budi stroking it on the flanks until it stands and goes with them to the washhouse. Here they tether it next to the door. It stands peacefully while Lehmann fetches the bolt pistol. A short pipe is held to the forehead, gentle but rapid. There is a blunt blow and the pig falls over. Lehmann says »Now we can butcher...«
In many German villages the butcher still goes to the farmer. A report.
Text: Marcus Jauer
Before daybreak they fetch the pig out of the pen. Lehmann ties a rope around its hind leg. Guido and Bubi push the animal out into the courtyard. It squeals, takes a few steps, lies down and will not rise. Come on fatty, come on, call Guido and Budi stroking it on the flanks until it stands and goes with them to the washhouse. Here they tether it next to the door. It stands peacefully while Lehmann fetches the bolt pistol. A short pipe is held to the forehead, gentle but rapid. There is a blunt blow and the pig falls over. Lehmann says »Now we can butcher...«
In many German villages the butcher still goes to the farmer. A report.
Text: Marcus Jauer
Before daybreak they fetch the pig out of the pen. Lehmann ties a rope around its hind leg. Guido and Bubi push the animal out into the courtyard. It squeals, takes a few steps, lies down and will not rise. Come on fatty, come on, call Guido and Budi stroking it on the flanks until it stands and goes with them to the washhouse. Here they tether it next to the door. It stands peacefully while Lehmann fetches the bolt pistol. A short pipe is held to the forehead, gentle but rapid. There is a blunt blow and the pig falls over. Lehmann says »Now we can butcher...«
In many German villages the butcher still goes to the farmer. A report.
Text: Marcus Jauer
Before daybreak they fetch the pig out of the pen. Lehmann ties a rope around its hind leg. Guido and Bubi push the animal out into the courtyard. It squeals, takes a few steps, lies down and will not rise. Come on fatty, come on, call Guido and Budi stroking it on the flanks until it stands and goes with them to the washhouse. Here they tether it next to the door. It stands peacefully while Lehmann fetches the bolt pistol. A short pipe is held to the forehead, gentle but rapid. There is a blunt blow and the pig falls over. Lehmann says »Now we can butcher...«
In many German villages the butcher still goes to the farmer. A report.
Text: Marcus Jauer
Before daybreak they fetch the pig out of the pen. Lehmann ties a rope around its hind leg. Guido and Bubi push the animal out into the courtyard. It squeals, takes a few steps, lies down and will not rise. Come on fatty, come on, call Guido and Budi stroking it on the flanks until it stands and goes with them to the washhouse. Here they tether it next to the door. It stands peacefully while Lehmann fetches the bolt pistol. A short pipe is held to the forehead, gentle but rapid. There is a blunt blow and the pig falls over. Lehmann says »Now we can butcher...«
In many German villages the butcher still goes to the farmer. A report.
Text: Marcus Jauer
Before daybreak they fetch the pig out of the pen. Lehmann ties a rope around its hind leg. Guido and Bubi push the animal out into the courtyard. It squeals, takes a few steps, lies down and will not rise. Come on fatty, come on, call Guido and Budi stroking it on the flanks until it stands and goes with them to the washhouse. Here they tether it next to the door. It stands peacefully while Lehmann fetches the bolt pistol. A short pipe is held to the forehead, gentle but rapid. There is a blunt blow and the pig falls over. Lehmann says »Now we can butcher...«
In many German villages the butcher still goes to the farmer. A report.
Text: Marcus Jauer
Before daybreak they fetch the pig out of the pen. Lehmann ties a rope around its hind leg. Guido and Bubi push the animal out into the courtyard. It squeals, takes a few steps, lies down and will not rise. Come on fatty, come on, call Guido and Budi stroking it on the flanks until it stands and goes with them to the washhouse. Here they tether it next to the door. It stands peacefully while Lehmann fetches the bolt pistol. A short pipe is held to the forehead, gentle but rapid. There is a blunt blow and the pig falls over. Lehmann says »Now we can butcher...«
In many German villages the butcher still goes to the farmer. A report.
Text: Marcus Jauer

exhibiton cataloges

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The City - Becoming and Decaying
Hatje Cantz
The City - Becoming and Decaying
Hatje Cantz
The City - Becoming and Decaying
Hatje Cantz
The City - Becoming and Decaying
Hatje Cantz
The City - Becoming and Decaying
Hatje Cantz
The City - Becoming and Decaying
Hatje Cantz
24h Berlin
Steidl
24h Berlin
Steidl
24h Berlin
Steidl
24h Berlin
Steidl
24h Berlin
Steidl
24h Berlin
Steidl
24h Berlin
Steidl
24h Berlin
Steidl
24h Berlin
Steidl
24h Berlin
Steidl
24h Berlin
Steidl

125 Jahre Sparkassenverband Niedersachsen

1 / 18
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.
The Association of Savings Banks of Lower Saxony celebrated its 125th anniversary in 2012. Commissioned by the Association, and in cooperation with the design agency KONO and the author Tim Schröder, we took a closer look at certain events in the history of the Association.

annual reports

1 / 28
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Sparkassenverband Niedersachsen
in cooperation with the design bureau KONO
Stadtentwässerung Hannover
in cooperation with buschbrand graphic design
Stadtentwässerung Hannover
in cooperation with buschbrand graphic design
Stadtentwässerung Hannover
in cooperation with buschbrand graphic design
Stadtentwässerung Hannover
in cooperation with buschbrand graphic design
Stadtentwässerung Hannover
in cooperation with buschbrand graphic design
Stadtentwässerung Hannover
in cooperation with buschbrand graphic design
Stadtentwässerung Hannover
in cooperation with buschbrand graphic design
Stadtentwässerung Hannover
in cooperation with buschbrand graphic design
Stadtentwässerung Hannover
in cooperation with buschbrand graphic design

Festspielhaus Baden Baden

1 / 20
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden
Imagebrochure for Festspielhaus Baden Baden

magazine

1 / 41
DUMMY Magazin
DUMMY Magazin
DUMMY Magazin
Chrismon
Chrismon
Chrismon
Chrismon
DUMMY Magazin
DUMMY Magazin
DUMMY Magazin
DUMMY Magazin
DUMMY Magazin
DUMMY Magazin
DUMMY Magazin
DUMMY Magazin
DUMMY Magazin
DUMMY Magazin
DUMMY Magazin
DUMMY Magazin
DUMMY Magazin
DUMMY Magazin
DIE ZEIT
DIE ZEIT
DIE ZEIT
PLIETSCH corporate magazin
PLIETSCH corporate magazin
PLIETSCH corporate magazin
PLIETSCH corporate magazin
PLIETSCH corporate magazin
PLIETSCH corporate magazin
PLIETSCH corporate magazin
PLIETSCH corporate magazin
PLIETSCH corporate magazin
PLIETSCH corporate magazin
PLIETSCH corporate magazin
PLIETSCH corporate magazin
PLIETSCH corporate magazin
PLIETSCH corporate magazin
Der Wedding
Der Wedding
Der Wedding

vita


Frank Schinski was born in Prenzlau in 1975. He grew up in a small village near the Polish border where he began a brick-layer apprenticeship. After a few years on building sites he completed his school leaving exam. Later, instead of studying architecture he completed his studies in photography at the University of Applied Arts and Sciences in Hannover (FHH).

Nowadays he works on independent projects which often relate to social themes. He also works for national and international media as well as business clients. Since 2009 he belongs to the Berlin photogragrapher’s agency »OSTKREUZ«.

references

Geo, Die Zeit, Stern, Chrismon, Focus, Dummy Magazin, FTD, Süddeutsche Zeitung, Die Welt, Handelsblatt, Brand Eins, Der Spiegel, Vanity Fair, Emotion, Lufthansamagazin, Der Wedding, DVA Verlag, Fischer Verlag, ADAC Reisemagazin, Volkswagen Nutzfahrzeuge, Continental AG, Sparkassenverband Niedersachsen, Siemens, Festspielhaus Baden Baden, Herrenknecht AG, Wilkhahn, Innovatives Niedersachsen GmbH, Wirtschaftministerium Niedersachsen, Hans Böckler Stiftung, VGH Versicherung, Bosch, DVA, Documenta GmbH ...

exhibitons (selection)

2016 »Ist doch so«, single exhibition in galery of the Kunststiftung Poll, Berlin
2016 25 Jahre OSTKREUZ, Schleswig Holstein Haus, Schwerin
2015 25 Jahre OSTKREUZ, BETC - Passage du Désir, Paris
2013 Über Grenzen, Hygienemuseum Dresden
2013 ort/zeit/los, Kunstverein Tiergarten in Berlin
2012 Über Grenzen, Haus der Kulturen der Welt in Berlin
2011 Die Stadt. Vom Werden und Vergehen, Versicherungskammer München
2010 Die Stadt. Vom Werden und Vergehen, C/O Berlin
2008 Lumix Festival für jungen Bildjournalismus, Hannover
2007 Zug um Zug 07, Kunstpreis der Sparda-Bank, Hannover
2006 Lead Award 2006, Haus der Photographie, Hamburg
2006 MHH Kestnerschau, Kestnergesellschaft Hannover
2005 VGH Versicherung Hannover
2003 ausgezeichnet, Gruner und Jahr in Hamburg
2002 Haus der Fotografie, Hannover
2002 Fotofestival in Perpignan, Frankreich


contact / imprint


Frank Schinski
Ratswiese 18
D-30453 Hannover

+49 177 3125279
www.frankschinski.de
mail(at)frankschinski.de

Finanzamt Hannover Süd
# 26/ 140/ 07409

frank schinski.vcf
AGB.pdf

agency


OSTKREUZ
Agentur der Fotografen GmbH
Behaimstrasse 34
D-13086 Berlin

+49 30 47373930
www.ostkreuz.de
mail(at)ostkreuz.de